Classes are currently closed

Currently we are not hosting classes or workshops as Atemi is currently focused in improving the quality of their capacity as a rigger. However we do still host private classes, contact us for more details.


La Nuit des Cordes 2018

Welp, it’s taken me over a month to sit down and write about this years Nuit des Cordes (NdC). It has mostly been because of my new job, which is as taxing as it is fulfilling, resulting in my spiral into debauchery every night after work.

All those excuses aside, here I am!

So this was my third NdC, and as always I was honored to be permitted to participate again, it’s always a great trip and seeing some of the friends that I have in Montreal is always joyous.

This year I was scheduled to work with CutieTie and Misticwonder:

9:45pm with CutieTie
11:15pm with CutieTie
1:45am with Misticwonder

However Misticwonder wasn’t feeling well and had to back out, so I performed thrice with CutieTie.

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(Above photos by DameTreck)

Our first session was involving a bamboo hard point, something that I hadn’t really used before and quit enjoyed. For this session we stuck mostly to partial suspensions, but went through some of my favorite ones. The audience seemed t  quite like it, and the photographers were all over us (most of our photos of the night ere from that session).

This session also started off with one of my favorite songs to tie too, so that gave the whole thing a bit more bravado.

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(above photos by aguacate)

Our second session involved more partial suspensions and a lovely inversion.

At the same time, there was someone next to us that was fully inverted and playing the violin!

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(above photos by neo70)

By our third performance, we were starting to get burnt out and I was becoming reluctant to do anything redundant, as such my creativity started to dwindle by then.

Finally, we concluded the night by watching the remaining performances, which is always lovely. Sadly this is the last NdC as the hosts announced that they will be retiring from running this annual event. We lsot the Morpheus Bondage Extravaganza last year as well, so here’s to hoping that some awesome folks with rise up and host more of these exhibitions!

It is also a point of interest that this night on March 3rd, 2016, Yukimura Haruki a well known rope artist, known for his seemingly simple yet profound caressing style (aibunawa; 愛撫縄), had passed away. As such, the majority of my effort this night were an expression of my understanding and grasp of Yukimura’s style of bondage (though I know exceedingly little about it).

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(above photos by SilverMaz)

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(above photos by SirMasterMarc)

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(above photos by KnotNice)

Continue reading “La Nuit des Cordes 2018”

2018 Theme – Ninkyo


One must consider how evil people (Ninkyō; 仁虚) can, through daily duty (Ninkyō; 任今日), become chivalrous (Ninkyō; 任侠).

Caught a cute little witch in my web… (Model: CutieTie)
One of the methods of tying the legs.
Experimenting with a different way to bind the legs.

The new Suspension Frame

So, two days ago, we finally got the suspension frame set up at the studio, and it is a glorious beast!

But being the silly bugger that I am, I’m overly concerned as to what to call it…

Torii gate at Hida Minzoku Mura Folk Village

The things that inspired it was a combination, of the Japanese-styled Torii, European-styled gallows, and classical illustrations of what was used in Japanese suspension torture.

Initially, I was going to simply call it a Torii (鳥居), but the design itself eventually shifted towards something more like gallows, and being endlessly inclined towards the Japanese language, I turned to the dictionary, for which I found the term Kōshudai (絞首台).

Gallows in Tombstone Courthouse State Historic Park, Tombstone, AZ.

The problem with Kōshudai, however, is that it literally refers to gallows and the activities therein:

  • ” (絞) means to strangle;  constrict;  wring.
  • Shu” (also read kubi; 首) refers to the anatomical neck.
  • Dai” (Tai or several other pronunciations; 台), is a pedestal; or a stand.

So this specifically refers to a pedestal for hanging or strangling the neck – not quite what we do or want to encourage.

There is also the late Yukimura Haruki‘s term kamoi (鴨居)[1], however, this is specifically the frame for sliding doors in classical Japanese houses, for which he made considerable use of in his work. Thus, this term is further away from what we are looking for than even the gallows.

A photo of a kamoi over a sliding door.

At this point, Kōshudai seems the closest to what were dealing with in regards to shibari and kinbaku, where the body is suspended by rope in various formations.


[1] Kamoi (鴨居) Means lintel. In traditional Japanese house it’s the beam where the top of sliding doors (fusuma; 襖) or paper windows (shoji; 障子) can be inserted and slide. It’s really easy to find pictures of people tied up to the kamoi.



Atemi self-suspending off the new suspension frame!

Stretching For Bondage HANDOUT!

An excellent introduction to stretching and flexibility!

Klawdya Rothschild's Vortex

Stretching… for Bondage                                                                    with Klawdya Rothschild

Why Stretch?

  • Stretching prevents injury in activities demanding a high and varied range of motion. The reaches in tennis, sprints in basketball, quick bursts in martial arts demand high range of motion.
  • Activities that consist of low intensity muscle contraction cycles, like biking and swimming need less flexibility, but stretching reduces the stiffness & soreness these activities cause.
  • Flexibility decreases with age; stretching can help keep activities enjoyable with less discomfort..

musclesWhat is Flexibility?

–A joint’s ability to move freely through a normal range of motion—not just do the splits.

Things that Affect Flexibility:

  • the type of joint (some joints simply aren’t meant to be flexible)
  • the elasticity of muscle tissue (scar tissue from previous injury is not very elastic)
  • elasticity of tendons and ligaments (ligaments don’t stretch much and tendons shouldn’t)
  • the elasticity of skin (skin has some degree of elasticity, but…

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